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c. 1445 – May 17, 1510. Italian painter.

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Joseph Raphael
Tea in the Orchard

ID: 36014

Joseph Raphael Tea in the Orchard
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Joseph Raphael Tea in the Orchard


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Joseph Raphael

1869-1950 Joseph Morris Raphael holds a high place in the California, American and French Schools of Impressionism. Born in the town of Jackson, California on June 2, 1869, Raphael became one of the most famous students of his esteemed teacher Arthur F. Mathews at the California School of Design. Later Raphael would continue his art studies in Paris at the Ecole des Beaux-Arts, and at the Academie Julian under Jean-Paul Laurens. Early in his career he made the decision to settle in Europe in Uccle, Belgium where he and his wife established a home and raised their family. For most of his career he remained a devoted follower of pure French Impressionism. He painted the countryside near his home in Uccle, Belgium and also ventured to Holland and France to paint. Just as Raphael's international reputation grew, his family grew as well to include four daughters and one son. His family frequently appeared in his figurative works, he created wonderful closeup studies of his children and frequently captured them in leisurely picnic settings. Other paintings featured local landscapes, and sometimes his charming cottage home with its vegetable and flower gardens which were perhaps a source for his still lifes of fruits, vegetables and flowers. He lived and worked in Europe for thirty-seven years always maintaining close ties with the San Francisco art community and his loyal art dealer and collector Albert M. Bender. In 1939 with the ominous clouds of World War Two approaching, he wisely chose to return to San Francisco where he lived and maintained a studio on Sutter Street until his death on December 11th, 1950.  Related Paintings of Joseph Raphael :. | The Milliner | beckasin | Terrace on the Seashore | Detail of Hide and seek | Portrait of Pietro Carnesecchi |
Related Artists:
ALLORI Cristofano
Italian Baroque Era Painter, 1577-1621 Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani (1558-1605) who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing. Allori also appears to have worked under Cigoli. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of Correggio's works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several specimens are to be seen at Florence and elsewhere. The finest of his works is his Judith with the Head of Holofernes. It exists in two copies in the Pitti Palace in Florence and in the Queen's Gallery in London. The model for the Judith was his mistress, the beautiful Mazzafirra, who is also represented in his Magdalene; and the head of Holofernes is generally supposed to represent himself.
SCOREL, Jan van
Dutch Northern Renaissance Painter, 1495-1562 North Netherlandish painter and ecclesiastic. He was one of the first north Netherlandish artists to visit Italy, and his return to Utrecht in 1524 can be regarded as a turning-point in the history of painting in the northern Netherlands. The important role Scorel played in introducing Italian art in the north was recognized even by contemporary writers and was reiterated slightly later by van Mander
SPELT, Adrian van der
Dutch painter (b. ca. 1630, Leiden, d. 1673, Gouda).






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